Wednesday 9 October 2013

Philip Chevron (17/6/57 - 13/10/13) R.I.P Faithfully Departed


Just heard that guitarist with one of my favourite bands the Pogues, Philip  Chevron, died yesterday aged 56 after a long battle with cancer.  He regarded his fate with great stoicism - he told the Irish Daily Mail earlier this year " I am gay, Irish,Catholic, alcoholic pogue who is about to die from cancer - and don't think I don't know it."
He had first performed with the Irish punk band the Radiators from Space, before he joined the Pogues, contributing  to some of their more memorable albums, in addition to playing the banjo and mandolin, he added magic to their legendary performances, who I was fortunate to see back in the day. A punk heart with a penchant for the work of Betolt Brecht and Kurt Weill.
Later  he became almost like the bands unofficial spokesperson.
My thoughts are with is friends and family.

The Pogues - A Thousand Ships are sailing

The Radiators from Space - Faithfully Departed



Philip Chevron and Spider Stacy






Tuesday 8 October 2013

Deaths per thousand at european borders : Welcome to Fortress Europe.

It is now estimated that over 300 people will have died when a ship full of migrants sunk off  the Italian island of Lampedusa.Since then on Monday, 13 refugees drowned off the coast of Scicily while attempting to swim to shore.http://www.bbc.co.uk/news/world-europe-24380247 These people have  joined the thousands of people who have already died thanks to the racist policies of Fortress Europe. Policies  have been designed to make it almost impossible to legally reach Europe and consequently as a result of this people are forced to take desperate risks.
One of the first divers to reach the wreck reported that " There were bodies everywhere, trapped inside the wreck, but also on top  of it and around the boat. I saw at least 100 corpses. But what struck me most was that some of them were locked in an embrace - they were hugging each other as they exhaled their last breath. Nobody wants to die alone. I still can't get the sight out of my head. I can't think of anything else."
The map above shows graphically the scale of deaths on the borders of Fortress Europe - this latest disaster off Lampedusa was of a scale that it was reported on. But as shown again and again there is a constant death toll of small groups and individuals that are not judged to be even worth reporting on.
Europe cannot go on sealing its borders and pretend this is not happening. Movement of people is inevitable due to social conflicts, repression, despaired poverty or natural disasters, there will be further asylum seekers and further tragedies, as  people try to escape persecution.
I believe that Europe must act together and dismantle its barricades to avoid further tragedies. These deaths are not isolated incidents, they are symptomatic of policies that no longer see the humanity of those fleeing their homeland.  For most refugees they are  denied access to the asylum system and are treated like criminals.By making legal immigration and asylum nearly impossible these policies will  lead to further tragedy.Border militarisation, asylum laws, detention policies, deportations and carrier sanctions etc etc. that lead to the  tragic death of migrants and refugees must continually be questioned. Senselessly increasing military  patrols near the coast of North Africa is simply not a solution, and while condolences are always  good to hear, there must be a better way, and the continued detention of vulnerable desperate people must be avoided, and the laws of immigration should not be punitive.  However much European governments try, it is impossible in this global world to shut its doors, we are living in the age of migration, fact, we must look for solutions not more punishment.
The survivors of Lampedusa are now crammed into a refugee centre  on the tiny island, with many forced to sleep in the open.

 
 


Sunday 6 October 2013

Palestinians plant flower beds with spent tear canisters

 
 
 
In the middle of the desert landscape of the West Bank, a small village has become an oasis of Palestinian resistance against the Israeli occupation. It's residents have planted flowers in hundreds of spent Israeli tear gas grenades, to honor those killed during their weekly protests against the seperation barrier in an act of peaceful resistance.This garden is located in the village of Bilin, near the West Bank city of Ramallah, the defacto capital of the proposed Palestinian state.
It serves to commemorate too Bassen Abu Ramah, a protest leader who was killed in 2009, when a tear gas grenade struck him in the chest during a demonstration.
This beautiful garden , acts as a counter marker, against the cruelty of the seperation wall, that divides neighbour from  neighbour, and symbolises directly their complex situation
In the most difficult of circumstances, some how hope, manages to flower.

Friday 4 October 2013

The Battle Of Cable Street Sunday 4th October 1936





Short documentary on the East End Of Londons militant anti fascist action against Mosely's British Union of Fascists on this  day 77 years ago 4th October 1936.
In the end the fascists were thwarted because of a determined group of united people who would not let them pass.77 years ago, people from all backgrounds worked together to prevent Oswald Mosley's fascists from marching through a Jewish area in London. We might like to think those days are behind us, but anti-semitism, racism and intolerance against Muslims is on the rise. The far-right are growing throughout Europe. After seventy seven years we must still remain vigilant to this. We should never forget events like the battle of Cable Street. Teach your kids about it.

This post is dedicated to Paul Dacre of the Daily Mail and all other fascist scum who think they can pass among us.

W.H. Davies ( 3/7/1871 - 26/9/40 ) The Battle for Cable Street.

You ask me how I got like this, Sir
Well, I don't care to say
But I will tell you a little story
Of when I was in a big fray.

I'm not very well in my old age
And as I sits drinking my broth
My mind goes back to 1936
That Sunday,Otober the fourth.

I was walking down Bethnal Green Road, Sir
just walking about at my ease
When the strains of a famous old song, Sir
Came floating to me on the breeze.

I stoppe, I looked and listened
Now where have I heard that old song?
Then I dashed to the Salmon and Ball, Sir
I know I wouldn't go wrong.

It was the Intenationale they were singing
They were singing it with a defiant blast
And holding up a big banner
With these words: " THEY SHALL NOT PASS"

And we then marched on to the East End
They were five thousand of us , I am sure
And when we got to the Aldgate
We were met by three hundred thousand more.

'Red Front! Red Front! these workers cried
It was a sight I wouldn't have missed
To see these thousands of defiant workers
Holding up their Mighty Clenched Fist.

The police said 'Now move along please,
This is all we ask'
But we said 'No, not for those blackshirts
Those rotters THEY SHALL NOT PASS'

We then marched on to Stepney Green Sir
You could see that this fight was no sham
For there were thousands of and thousands of workers
Marching from Limehous,Poplar, Stratford and East Ham.

You could see that Mosely wouldn't get through Sir
That our slogan that day was no boast
And I shouted 'Hip Hip hurrah'
And I saw our flag being tied to a lamp post

the children shouted from the windows "O, golly"
For Mosley, no one seemed sorry
But someone ha da the goodness
To lendv us their two ton lorry

We got it over on its side Sir
It wasn't much of a strain
But the police krpt knocking our barricade down
So we built the damn thing up again.

The police said we worked mighty fast
As with a hanky their faces they mopped
So we got out our big red banner
And stuck it right on the top.

The police then charged with their truncheons
They charged us, the working class
But they couldn't pinch our red banner
With these words THEY SHALL NOT PASS

I wish you had been there to see it
You would have said it was a ruddy fine feat
How we kept that old Red Flag flying
On those barricades of Cable Street.

So this is the end of my story
And I must get back to my broth
But I hope you will never forget Sir
It was Sunday October the fourth.


Ghosts of Cable Street
(video showing the scenes of Cable Street,
set to the music of the Men They Couldn't hang)


and again and again
we will cry
THEY SHALL NOT PASS
NO PASARON


Picture below by David Rosenberg




Destruction of Chartist Mural


The destruction of the popular Chartist mural, in Newport yesterday has robbed many Newport residents of part of their rich personal and cultural history. Commemorating the Chartist uprising of 4th November 1839, the mural was located in an underground walkway leading to  to John Frost Square (named after eminent local Chartist leader, who was packed of to Tasmania, only to return later to heroes welcome.) in 1979, and was made by artist Kenneth Budd a renowned figure in post war mosaics.
The Chartist mural was one of several works by Budd commissioned by Newport City Council after 1974 to promote public art, by applying them to highway and other major council developments in and around the city. At this time Newport had a reputation as perhaps the leading public authority in Wales for promoting public art, not only to enhance the city but also to enlighten its inhabitants about its history of struggle for social improvement.  Its significance thus lies not only in its artistic quality and craftsmanship, but also in its historical importance as a record of nineteenth century working-class protest.
A familiar presence in the city of Newport , the mural had become firmly established as arguably the best known tribute to the political rising of 1839 and wasl was deliberately placed next to John Frost Square to commemorate the events of 4 November 1839 and serve as a memorial to the twenty Chartists killed by the army outside the nearby Westgate Hotel, as depicted in the mural.  John Frost, later Mayor of Newport, was one of several thousand  Chartists who marched that day from the Monmouthshire valleys in support of their demands for parliamentary reform. Their demands were for secret ballots, a vote for everyone 21 and over, annual elections to Parliament, all constituencies to have equal numbers of voters, abolition of the property qualification for MPs, and payment of MPs.
The Newport Rising, a few months after Parliament had rejected the six-point Charter calling for voting reform, was the last major armed rebellion in mainland Britain.
The Chartist leaders, including Frost, were convicted of high treason and sentenced to be hung, drawn and quartered. But after protests from all over the country, the sentence was reduced to transportation for life. Other uprisings were also planned in Sheffield, the East End of London and Bradford.The Chartist movement represented the culmination of an extraordinary political, cultural and intellectual ferment that affected broad sections of the British working class in the decades that followed the French Revolution.
The vast 35m long mural was beautifully executed and extraordinarily detailed, depicting the 1839 Chartist uprising with life-size figures made from 200,000 pieces of ceramic tile and glass mosaic.
The mosaic was so intricately designed that you could  see subtle variations in skin tone and expression in the faces of the protesters, and the surface has projecting elements like spears and weapons which provide an added layer of three-dimensional detail.
In telling the story of the Chartist rising, artist Kenneth Budd  depicted key aspects of the day’s events, including the text of the People’s Charter, the march and the final bloody shootout on the steps of the Westgate Hotel. But more than being an historical interpretation, the mural also became an archive of 1970s Newport, for every face included in the mural was based on that of a prominent member of the community in Newport at that time. This was a People’s Charter, manifest in a people’s mural.
A local campaign had collected over 4,000 signatures in support of keeping the mural. Many locals had gathered to show their opposition, and to try and defy the wreckers, however sadly now reduced to rubble in an act of despicable cultural vandalism. All for the sake of building yet another shopping centre, a disgrace in any context, but absolutely disgusting under the direction of a Labour Council, who did not seem to care about their roots, or the proud heritage of the local people.
The council sought to justify its destruction of the mural on the grounds that the Welsh heritage organisation, Cadw, had not awarded the artwork listed status and that its relocation would cost £600,000. A spokesperson for Cadw commented, “The Chartist Mural in Newport has not been awarded listing status principally because it fell short of the criteria to be listed at the national level on grounds of its special architectural interest. The quality of building to which the mosaic is attached is poor and the underpass itself has no intrinsic design merits. It was also felt that there was no specific association between the location of the mural and the Chartist uprising.” .
The cold nature of the mural’s destruction upset many. Video footage revealed that they  happily destroyed a beautiful and visible expression of working-class people and struggle.with total  disregard for the mural during demolition, with no attempts made to preserve any sections of the display. Official statements suggested the building was unsafe for the general public, yet the sight of a mechanical digger slamming into the supposedly fragile wall, raised eyebrows all round. Further statements indicating that the mural was fused to an adjoining wall, a major factor in the £600,000 costing for ‘safe’ removal’, were also called into question as great segments of the mural appeared to ‘peel’ from the walls. The demolition crew succeeded in showing that, parts at least, of the mural could have be saved, for very little money and for the loss of very little time. By this stage in proceedings however, little could be done, the mural was gone.
We should never forget the  insurrectionary spirit of the Chartists,  and the proud part Newport played in fighting for workers rights,  nor the people of Newport who determingly campaigned to save this mural from this willful desecration and destruction.


Democracy dead and buried in Newport



Chartist Mural destroyed
 



Thursday 3 October 2013

These Words



(some words for National Poetry Day)

I make spontaneous verse
I am not very good at rhyme,
I am often non-conformist
my visions speak against injustice,
words released like a slow burning fuse
to fill the air with crackling alarm,
I have felt emptiness, exhaustion
witnessed forces of distortion, 
the politics of empty gestures
shaped by the hands of jesters,
I hurry on, follow tides of innocence
try to swim beyond rivers of ambivalence,
these words are my swords & ploughshares
clouds of abstraction, in intervals of time,
whilst  breathless, I try to run free
empty pockets of contemplation,
share my conscience into  night sky
with each season's passing cry.

Wednesday 2 October 2013

Why we hate the Daily Mail



The Daily Mail is rightly getting hammered at the moment....which has been cheering me up greatly. Here's last nights stand off on Newsnight. 10 minutes in Paul Dacre gets it! We're still living in dangerous times, however, and the right wing media and their poison need to be fought tooth and nail.
 Long has the Daily Mail's brand been tainted. It's unique combination of bullshit, scaremongering and hatred making it one of the worst newspapers in the world, for some time it has exhibited a right-wing stance on both society and politics. It still holds an inherently racist outlook, whilst supporting whatever right-wing  crazies that cross their path, ie, the Conservative Party, U.K.I.P, or the English Defence League. Combined with a lack of trustworthy news, hypocricy and bullshit. A bully that is constantly attacking the poor, the vulnerable, the unemployed and disabled benefit claimants. It's headlines long fuelling xenophobia, bigotry, public anxiety and islamphobia, for too long now it has just been a poisonous piece of toilet paper, that needs to be shut down in the name of human decency, and is strictly beyond the pale.
Lest us not forget that during the 1930's and 1940's this newspaper (if we can call it one) openly supported the Nazis and the Blackshirts.

Daily Mail Poem

I pour scorn on its petty margins,
its distortion of realities silhouette,
the daily shame, should be its new name,
cross out all its lies, we'd be left with empty pages.

Drinking toasts to underbellies of nastiness,
it sharpens its pen on bile,
its agenda of spreading hatred,
is enough to scramble your brain.

Acts like a bully, but is simply scared
                                               of everything,
its dark heart is a destroyer of dreams,
as its wedges of venom drives people apart,
in truth, it reminds me of nothing at all.

In these times, when I think people,
should be drawing closer together,
its pinning sense of intolerance,
fuels only fear, with its jackboots
                               gnashing daily.

its message is not one I want to hear,
we are so diametrically opposed,
dont ever think I will ever be able
                             to call it a friend.


(An earlier headline from this odious paper.)

Hurrah for the Blackshirts